📚English IH Final — Study Hub

📚 English I Honors Final — Study Hub

Exam: Tuesday May 20, 1:00–3:00pm. Built around your weak spots — devices (Section II) and recall (Section I).

How the exam breaks down:
SectionWhatPointsTime
IShort answers — poetry, Othello, Chosen, tragic heroes3015 min
IICold-read poem: identify devices + write thesis3025 min
IIIFree response — themes/symbols in Othello & Chosen4030 min
IV3 Quote IDs (4-step structure)6040 min
Total1601h 50min

🗂️ Your Resources

📅
3-Day Study Plan

Sat / Sun / Mon checklist with progress tracking.

★ Start here
🎵
Poetic Devices Reference

All 18 devices with definitions, examples, and how-to-spot tips. Your Section II priority.

★ High priority
📘
Cheat Sheet

All topics condensed: devices, poems, Othello, Chosen, QIDs, thesis writing.

Topic summary
🃏
Flashcards

Active recall on devices, poem types, characters, themes, terms.

Active recall
🔬
Deep Dives

Focused walkthroughs: Othello (priority), The Chosen, Quote IDs, thesis writing, poem types.

Per-topic

🎯 Must-Know Facts (5-min review)

  1. Thesis format: "Although..." intro phrase → main claim with evidence → "-ing" participial "so what"
  2. Quote ID 4 steps: Speaker/context → words (diction/tone) → big picture (themes) → looking forward/backward
  3. Hamartia = fatal flaw. Othello's = jealousy (sometimes labeled as anger)
  4. Bildungsroman = coming-of-age novel (The Chosen)
  5. Aristotle's definition of a friend (per Mr. Malter) = "two bodies with one soul"
  6. Gematriyah = numerical significance from Hebrew letters (The Chosen)
  7. Othello starts in Venice; majority is in Cyprus
  8. Othello deaths: Othello, Desdemona, Roderigo, Emilia (and Brabantio off-stage)
  9. Chosen begins in 1944; Othello published 1622
  10. Citation: "Quote" (Potok 45) for Chosen; "Quote" (Shakespeare 3.3.410-411) for Othello
⚡ Strategy:
  • 70% of your time = active recall, not rereading
  • Devices first — they appear in Sections I AND II (~60 points combined)
  • Othello over Chosen — you said you know Chosen better, so weight Othello heavier
  • Plan Quote IDs on paper — even partial outlines beat rereading the novel
  • Memorize thesis structure as a template you can plug into any poem

📅 2-Day Plan: Sunday → Monday

Exam Tuesday at 1pm. Compressed plan — covers every priority section.

⏱️ Time check: You have Sunday + Monday (~10 focused study hours). Skip nothing critical — every block here is on the exam. Don't try to do extras at the cost of these.
Progress: 0% (0 of 0 tasks)
📅 Sunday (TODAY) — Devices + Othello + QID Structure
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Today's goal: Nail the 18 devices, learn Othello deeper, and lock down the QID 4-step structure. This is your heaviest day.

🟢 Block 1: Master the 18 devices 60 min
☕ 10-min break — get water, snack
🟢 Block 2: Othello deep dive 60 min
☕ 30-min lunch break
🟢 Block 3: Quote ID structure — the 4 steps 60 min
☕ 15-min break
🟢 Block 4: Thesis format + flashcard sweep 45 min
🌙 End of Sunday (10 min)
📅 Monday — Practice + Polish + Chosen refresh
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Goal: Practice under timed conditions, drill weak spots, refresh Chosen, polish.

🟢 Block 1: Weak spot drill 45 min
☕ 10-min break
🟢 Block 2: Cold-read poem practice (timed) 30 min
☕ 15-min break
🟢 Block 3: Chosen refresh (you know this one) 30 min
☕ 30-min lunch break
🟢 Block 4: Full QID dress rehearsal 45 min
☕ 10-min break
🟢 Block 5: Free response themes 30 min
🟢 Block 6: Final polish 30 min
🌙 End of Monday

📅 Tuesday Morning (Exam at 1pm)

  • Wake early, eat protein + carbs
  • Light review only (30-60 min) — quick flashcard shuffle, glance at QID template + thesis template
  • Bring black or blue pens (no other materials allowed)
  • Pen check before you leave — bring TWO in case one dies
  • Read ALL directions carefully on the exam
  • If a section feels stuck, move on and come back — don't burn time

📘 Cheat Sheet

Condensed coverage of every exam topic.

1. The 18 Poetic & Literary Devices

Quick reference. Full examples on the .

DeviceOne-line definition
EnjambmentLine breaks WITHOUT punctuation — thought continues to next line
End-stopped linesLine ends WITH punctuation (. , ; :)
CaesuraPause in the MIDDLE of a line (usually marked by punctuation)
ChiasmusRepeated structure flipped: AB-BA ("Fair is foul and foul is fair")
SynecdocheA part represents the whole ("all hands on deck" = sailors)
AnaphoraSame word(s) repeated at the BEGINNING of lines
EpistropheSame word(s) repeated at the END of lines
Internal rhymeRhyme WITHIN a single line
External (end) rhymeRhyme at the ends of two or more lines
ConsonanceRepeated CONSONANT sounds (any position)
AssonanceRepeated VOWEL sounds
MetaphorDirect comparison ("life is a journey")
SimileComparison with "like" or "as"
JuxtapositionPlacing two contrasting things side-by-side
ParadoxSeemingly contradictory but true statement
RepetitionAny repeated word, phrase, sound, or structure (general)
PersonificationGiving human qualities to non-human things
HyperboleExtreme exaggeration for effect
💡 Test trick: Consonance and assonance are TWO SPECIFIC TYPES of alliteration — that's the $20 Jeopardy answer.

2. The 6 Poem Types

TypeDefinitionExample/notes
OdeFormal address to a person/object/idea, often celebratory"Ode to a Grecian Urn"
ElegyMournful poem, usually about death/loss"When Lilacs Last in the Dooryard Bloom'd"
PersonaSpeaker is a CHARACTER (not the poet) — assumed identity"My Last Duchess" (Browning)
EkphrasisPoem describing/responding to a piece of visual art"Musée des Beaux Arts"
Ars PoeticaA poem ABOUT poetry itself"Ars Poetica" (MacLeish)
Concrete poemVisual shape of the text matters — words form a picture"The Mouse's Tale" (Carroll)

3. Thesis Statement Format (Section II)

3 parts (must include all):
  1. Intro phrase — usually starts with "Although..."
  2. Main claim — clear argument with evidence
  3. "So what" — starts with an "-ing" word, extends beyond the text

Example: "Although Juliet, Desdemona, and Emilia are all constrained by the expectations of their marriages, Juliet and Desdemona find ways to push those boundaries and take control of their own destinies, emphasizing Shakespeare's message celebrating women's independence and demonstrating how the plays are ahead of their time."

4. Quote ID — The 4 Steps

  1. Speaker/context — Who said it? Where in the text?
  2. Words analysis — Diction, tone, mood, syntax, devices, repetition
  3. Big picture — How does this connect to themes, symbols, conflicts?
  4. Looking forward/backward — How does this build on or set up another moment?

5. Othello — Plot Highlights

Setting: Starts in Venice; majority in Cyprus | Published: 1622

CharacterRole
OthelloMoorish general, tragic hero (hamartia = jealousy/anger)
DesdemonaOthello's wife
IagoThe villain. Master manipulator. Hates Othello.
CassioLieutenant. Iago is jealous of his promotion.
EmiliaIago's wife, Desdemona's friend
RoderigoFoolish suitor of Desdemona; manipulated by Iago
BiancaCassio's lover
BrabantioDesdemona's father
LodovicoVenetian nobleman

Who dies: Othello, Desdemona, Roderigo, Emilia, Brabantio. (Cassio's leg gets stabbed but he survives.)

How Roderigo dies: Fight with Cassio in the dark, killed by Iago.

Enemies the Venetian army fights: Turks / Ottomans (same enemy, two names).

6. The Chosen — Plot Highlights

Year story begins: 1944 | Author: Chaim Potok

CharacterRole
Reuven MalterNarrator. Modern Orthodox Jew.
Danny SaundersHasidic Jew, brilliant. Reuven's best friend.
Mr. Malter (David)Reuven's father. Zionist scholar.
Reb SaundersDanny's father. Hasidic rabbi. Raises Danny in silence.
LeviDanny's younger brother

Key concepts:

7. Key Literary Terms

TermDefinition
HamartiaFatal flaw of the tragic hero
Tragic HeroNoble character whose flaw leads to their downfall (Othello)
BildungsromanComing-of-age novel (The Chosen)
CatharsisEmotional release the audience feels at the end of a tragedy
FoilCharacter who contrasts with another to highlight traits

8. Citation Format

The Chosen: "Quote" (Potok 45).

Othello / Shakespeare: "Quote" (Shakespeare 3.3.410-411). [Format: Act.Scene.Line]

9. Formal Essay Writing Rules

🃏 Flashcards

Active recall on all topics. Say the answer OUT LOUD before clicking reveal.

Showing 0 of 0 • ✓ Got it: 0 • ⭐ Starred: 0

🎵 Poetic & Literary Devices

All 18 devices with definitions, examples, and how-to-spot tips. This is your Section II priority.

How to use this page (Active Recall mode): Each card shows only the device NAME. Try to define it yourself OUT LOUD, then click "Reveal" to check. The cards in orange are HIGH-YIELD (likely on the exam).
Bulk actions: Tip: use "Reveal All" for browsing; use "Hide All" to quiz yourself again.

Structural Devices (line/rhythm-based)

1. Enjambment
A line of poetry ends WITHOUT punctuation, and the thought continues onto the next line.
"I wandered lonely as a cloud / That floats on high o'er vales and hills"
Look for line endings with NO comma, period, or other punctuation. The sentence flows over the line break.
2. End-stopped lines
A line of poetry ends WITH punctuation (period, comma, semicolon, dash). The thought completes on the line.
"My heart is in the highlands. / My heart is not here."
Opposite of enjambment. Each line ends with clear punctuation.
3. Caesura
A pause in the MIDDLE of a line, usually marked by punctuation (comma, dash, semicolon).
"To err is human; || to forgive, divine." (the semicolon creates a caesura)
Look for punctuation in the MIDDLE of a line — not at the end. Creates a rhythmic pause.

Rhetorical Devices (repetition & structure)

4. Anaphora
Repetition of the SAME word(s) at the BEGINNING of consecutive lines or sentences.
"We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields..." (Churchill)
Look at the FIRST word(s) of multiple lines — are they the same?
5. Epistrophe
Repetition of the same word(s) at the END of consecutive lines or sentences.
"...of the people, by the people, for the people."
Look at the LAST word(s) of multiple lines — are they the same? Opposite of anaphora.
6. Chiasmus (Ms. Waxman's FAVORITE)
A structure that is repeated but FLIPPED (AB-BA pattern).
"Ask not what your country can do for you, ask what you can do for your country." (JFK)
"Fair is foul, and foul is fair." (Macbeth)
Watch for two parallel phrases where the second one REVERSES the order of the first.
7. Repetition (general)
Any repeated word, phrase, sound, or structure — broader umbrella term than anaphora/epistrophe.
"Never, never, never, never, never." (King Lear)
When you see the same thing more than twice, ask if it's a SPECIFIC type (anaphora? epistrophe?) before defaulting to "repetition."

Sound Devices

8. Consonance
Repeated CONSONANT sounds (in any position within words).
"And all the air a solemn stillness holds" (the "L" sounds)
"Pitter patter" (the "t" sound)
A specific type of alliteration. Listen for consonant sounds repeating — not just at the start of words.
9. Assonance
Repeated VOWEL sounds.
"The rain in Spain stays mainly in the plain" (long "A" sound)
"How now brown cow" (the "ow" sound)
Listen for vowel sounds repeating in nearby words. The other specific type of alliteration alongside consonance.
10. Internal Rhyme
Rhyming words appear within a SINGLE LINE.
"Once upon a midnight dreary, while I pondered, weak and weary" (Poe — "dreary"/"weary" within lines)
Find words that rhyme in the same line — not just at line ends.
11. External Rhyme (End Rhyme)
Rhyming words at the ENDS of two or more lines.
"Roses are red / Violets are blue" (red/blue rhyme at line endings)
Check the last word of each line — does it rhyme with another line's last word?

Figurative Language

12. Metaphor
Direct comparison between two unlike things WITHOUT using "like" or "as."
"Life is a journey." "He is a lion in battle."
Look for one thing being CALLED another, no "like" or "as."
13. Simile
Comparison using "like" or "as."
"Brave as a lion." "Eyes like the stars."
Just look for the words "like" or "as" comparing two things.
14. Synecdoche
A PART represents the WHOLE (or vice versa).
"All hands on deck!" (hands = sailors)
"Nice wheels!" (wheels = car)
"The crown" (= the monarchy)
When you see a body part or component standing in for the entire person/thing it belongs to.
15. Personification
Giving human qualities or actions to non-human things.
"The wind whispered." "Time marches on." "Opportunity knocked."
Find a non-human noun doing something only a human could do.
16. Hyperbole
Extreme exaggeration for emphasis or effect (not meant literally).
"I've told you a million times." "I could sleep for a year."
Look for over-the-top exaggerations that no one would take seriously.

Contrast & Contradiction

17. Juxtaposition
Placing two contrasting ideas, images, or words side-by-side.
"It was the best of times, it was the worst of times." (Dickens)
Find two opposing things placed close together for effect.
18. Paradox
A seemingly contradictory statement that reveals a deeper truth.
"I must be cruel only to be kind." (Hamlet)
"Less is more."
Statements that seem to contradict themselves but actually make a point on reflection.

🎯 Self-test: Can you name the device?

Practice — say the device name out loud, then reveal

1. "Fair is foul, and foul is fair."
Chiasmus — AB-BA structure (fair/foul → foul/fair). Bonus: also paradox.
2. "The wind howled in the trees."
Personification — wind doesn't actually howl; it's a human action.
3. "All hands on deck."
Synecdoche — "hands" represents the whole sailors.
4. "I have a dream that one day... I have a dream that one day... I have a dream that one day..."
Anaphora — repeated phrase at the BEGINNING of each line.
5. "...of the people, by the people, for the people"
Epistrophe — repeated word ("the people") at the END of each phrase.
6. "To err is human; to forgive, divine."
Caesura (semicolon mid-line). Also has parallel structure.
7. Line that ends with no punctuation, e.g.: "I wandered lonely as a cloud / That floats on high..."
Enjambment — line break with no punctuation; thought continues.
8. "The rain in Spain stays mainly in the plain."
Assonance — repeated long "A" vowel sound.
9. "I'm so hungry I could eat a horse."
Hyperbole — extreme exaggeration.
10. "Life is a journey."
Metaphor — direct comparison, no "like"/"as."

📝 Cold-Read Simulation (Section II Practice)

This is what Section II will feel like. Read a poem you've never seen, identify devices, write a thesis — all in 25 minutes.
How to use this simulation:
  1. Set a timer for 25 minutes (the real exam time).
  2. Read the poem twice. On the second pass, mark up devices you spot on paper.
  3. List ALL devices you can find. Aim for at least 6-8.
  4. Write a thesis using the 3-part format: "Although... [main claim], -ing word + universal meaning."
  5. THEN scroll down and reveal the answers to check yourself.

📜 The Poem: "Hope" is the thing with feathers — Emily Dickinson

Line #
1"Hope" is the thing with feathers — 2That perches in the soul — 3And sings the tune without the words — 4And never stops — at all — 5And sweetest — in the Gale — is heard — 6And sore must be the storm — 7That could abash the little Bird 8That kept so many warm — 9I've heard it in the chillest land — 10And on the strangest Sea — 11Yet — never — in Extremity, 12It asked a crumb — of me.

⬇️ Try the exercise FIRST. Then scroll down. ⬇️

Part 1: Devices to Find (8 total)

Don't peek — see how many you found on your own first.

Device 1
Look at the very first line: "Hope" is the thing with feathers —
Metaphor (extended). "Hope" is being directly compared to a bird — note "IS" (not "like"/"as"). This metaphor is sustained through the entire poem (the bird perches, sings, weathers storms). When a metaphor stretches across the whole poem like this, you can also call it an extended metaphor.
Device 2
"That perches in the soul... And sings the tune... It asked a crumb of me."
Personification. Hope is given human/animal actions (perching, singing, asking). Even though hope is an abstract concept, Dickinson gives it living, willful behavior.
Device 3
Look at the dashes throughout the poem: "Hope" is the thing with feathers — / That perches in the soul —
Caesura. Dickinson's signature dashes create pauses in the middle and end of lines. Lines like "And sweetest — in the Gale — is heard —" have multiple caesuras within a single line, creating a fragmented, breathless rhythm.
Device 4
Lines 3–6: "And sings the tune... / And never stops... / And sweetest... / And sore..."
Anaphora. "And" repeats at the BEGINNING of four consecutive lines. This is the more specific term — don't just say "repetition." (Remember: anaphora = beginning; epistrophe = end.)
Device 5
Look at lines 5–6: "And sweetest... stale... sore must be the storm"
Consonance (repeated "s" consonant sounds — sweetest, sore, storm). Some teachers also accept alliteration here since the "s" appears at the start of multiple words. Most precise answer = consonance.
Device 6
Looking at line endings: "feathers — / soul — / words — / at all —" (then) "heard — / storm — / Bird / warm —"
End rhyme (external rhyme). Dickinson uses a loose ABCB rhyme scheme (soul/all, storm/warm, sea/me). Not all lines rhyme — but the second and fourth lines of each stanza do.
Device 7
Most lines end with a dash. But look at line 7: "That could abash the little Bird" — no dash, the thought continues directly into line 8.
Enjambment. The thought flows from line 7 into line 8 with no punctuation: "That could abash the little Bird / That kept so many warm." The contrast with all the dash-stopped lines makes this enjambment especially noticeable.
Device 8
"It asked a crumb — of me." (Last line, after describing hope surviving the worst conditions)
Juxtaposition (and arguably paradox). The vast scale of hope's endurance ("chillest land," "strangest Sea," "Extremity") is juxtaposed against the tiny "crumb" — emphasizing that hope demands almost nothing in return. The contrast between huge struggle and tiny ask makes the point hit harder.

📊 How did you do on devices?

FoundGrade
7-8 out of 8Excellent — you'd ace Section II identification
5-6 out of 8Solid — review the ones you missed and re-quiz tomorrow
3-4 out of 8Going OK — focus on caesura, anaphora, and enjambment (most-tested)
0-2 out of 8You need a re-read of the Devices page before Tuesday

Part 2: Write Your Thesis

Before revealing the model thesis below, write your own. Use the 3-part format:
  1. "Although..." intro phrase
  2. Main claim with evidence (mention at least one device)
  3. "-ing" word + universal meaning
Model Thesis #1 (one possible argument)
A thesis arguing that the poem celebrates hope's quiet endurance:
"Although Dickinson's fractured syntax — marked by recurring caesura and dashes — suggests fragility, her extended metaphor of hope as a singing bird and her repeated use of anaphora reveal hope to be an unshakable internal force, emphasizing that the most enduring sources of human resilience are often the ones that demand the least from us."

Why it works:
  • "Although" intro phrase ✓
  • Main claim grounded in textual evidence (caesura, extended metaphor, anaphora) ✓
  • "-ing" word ("emphasizing") connecting to a universal idea ✓
Model Thesis #2 (a different angle)
A thesis focused on the contrast between hope's strength and its modesty:
"Although the speaker situates hope in the harshest external conditions — 'the chillest land' and 'strangest Sea' — Dickinson's juxtaposition of those vast hardships against a single 'crumb' redefines hope as a force that gives endlessly without demand, illustrating the paradox that the most powerful sustaining forces in human life are often nearly invisible."

Same 3-part structure, different argument. Both would earn full credit.

📋 Thesis Self-Grading Rubric

CheckDid you...?
Start with "Although" (or "While" / "Even though")?
Mention at least one specific device by name?
Reference specific words/lines from the poem?
Include an "-ing" word (emphasizing/illustrating/demonstrating/revealing)?
End with a universal meaning that extends beyond the poem?

If you hit all 5 checks, your thesis would earn full marks on the format. Now do another one tomorrow with a different poem.

🎯 Where to find another poem for Monday's practice:
  • Search "Robert Frost short poem" → try "The Road Not Taken" or "Acquainted with the Night"
  • "Langston Hughes short poem" → "Dreams" or "Mother to Son" (both are device-rich)
  • "William Blake short poem" → "The Sick Rose" (5 lines, packed with devices)
  • Any Emily Dickinson poem ("Because I could not stop for Death" has caesura, personification, metaphor)

Set a 25-min timer. Find 6-8 devices. Write a 3-part thesis. Compare to the patterns above.

🔬 Deep Dives

Focused walkthroughs for each major topic.

🎭 Othello Deep Dive

You said you know Othello less than Chosen — so this is your priority. Plot → characters → themes → key quotes.

1. Plot Summary (memorable beats)

  1. Act 1 (Venice): Iago hates Othello for promoting Cassio. Iago + Roderigo tell Brabantio that Othello has eloped with Desdemona. Othello defends himself to the senate. Brabantio's parting line: "Fathers, from hence trust not your daughter's minds." The army is sent to Cyprus to fight the Turks/Ottomans.
  2. Act 2 (Cyprus): The storm destroys the Turkish fleet. Othello and Desdemona reunite. Iago manipulates Cassio into getting drunk and fighting. Othello demotes Cassio.
  3. Act 3: Iago plants the idea of Desdemona's affair with Cassio. The handkerchief drops; Emilia gives it to Iago. "Beware, my lord, of jealousy: it is the green-eyed monster." Othello falls for Iago's lie.
  4. Act 4: Othello's jealousy spirals. He strikes Desdemona in public.
  5. Act 5: Iago manipulates a night fight; Roderigo dies. Othello smothers Desdemona. Emilia reveals Iago's lies — Iago kills her. Othello kills himself.

2. Characters (memorize)

CharacterRole + key fact
OthelloMoorish general. Tragic hero. Hamartia = jealousy (sometimes called anger).
DesdemonaOthello's wife. Senator's daughter. Innocent victim.
IagoThe villain. Othello's "honest" ensign. Hates Othello for promoting Cassio over him.
CassioLieutenant. Got the promotion Iago wanted. His leg is stabbed at the end (survives).
EmiliaIago's wife, Desdemona's attendant. Gives the dropped handkerchief to Iago. Reveals the truth at the end → Iago kills her.
RoderigoFool in love with Desdemona. Iago manipulates him. Killed by Iago in a dark fight.
BiancaCassio's lover. Often used as proof of "infidelity" in Iago's scheme.
BrabantioDesdemona's father. Dies offstage of grief.
LodovicoVenetian nobleman who arrives in Cyprus mid-play. Witness to Othello's collapse.

3. Major Themes

  • Jealousy — the central theme. "Green-eyed monster."
  • Deception & appearance vs. reality — Iago is "honest" but isn't. "I am not what I am."
  • Race & otherness — Othello is a Moor in a white Venetian world.
  • Manipulation & language — Iago weaponizes words.
  • Marriage & women's autonomy — Desdemona, Emilia, Bianca are all constrained.
  • Honor & reputation — drives Othello's actions.

4. Key Symbols

  • The handkerchief — Othello's first gift to Desdemona, becomes "proof" of her supposed affair. Symbolizes love, fidelity, and how easily evidence is manipulated.
  • Green-eyed monster — jealousy personified as a beast that eats people alive.
  • Light vs. dark — both literal (the night murder) and racial (Othello's blackness vs. Desdemona's whiteness).

5. KEY QUOTES (likely on QID)

"I will wear my heart upon my sleeve / For daws to peck at: I am not what I am." — Iago (Act 1)
Context: Very beginning of the play. Iago to Roderigo, explaining his duplicity.
Why it matters: Iago openly tells us he is a liar. "I am not what I am" — direct contradiction of God's "I am that I am" (biblical). Sets up the appearance vs. reality theme.
"Beware, my lord, of jealousy: it is the green-eyed monster which doth mock the meat it feeds on." — Iago (Act 3, Scene 3)
Context: Iago to Othello, just BEFORE making Othello jealous. Othello has just said he'd never be jealous.
Why it matters: Dramatic irony — Iago warns Othello against the very thing he's about to inflict. "Green-eyed monster" becomes the dominant metaphor.
"I am glad I have found this napkin. / This was her first remembrance from the Moor." — Emilia (Act 3)
Context: Emilia has just picked up the dropped handkerchief, planning to give it to Iago.
Why it matters: The handkerchief is Othello's first love token. By giving it away, Emilia unknowingly enables the entire tragedy.
"It is the cause, it is the cause, let me not name it to you, chaste stars / It is the cause." — Othello (Act 5)
Context: Othello entering Desdemona's bedroom to kill her.
Why it matters: Repetition shows Othello convincing himself to commit the murder. He won't even name "it" (her supposed adultery) — he's hiding from his own action. Climax of the tragedy.
"I will not charm my tongue! I am bound to speak." — Emilia (Act 5)
Context: Emilia reveals Iago's plot after Desdemona's death, even though Iago tells her to be silent.
Why it matters: The truth-teller moment. Emilia stands up to her husband and dies for it. Theme of voice, women's agency, and the cost of truth.
"Nobody! I, myself. Farewell." — Desdemona (Act 5)
Context: Desdemona's dying words. Asked who killed her, she takes the blame herself.
Why it matters: Either heartbreaking innocence or final act of love — Desdemona refuses to condemn Othello even in death. Shows her sacrifice.
"Is this the noble Moor, whom our full senate / Call all in all sufficient? Is this the nature / Whom passion could not shake?" — Lodovico (Act 4)
Context: Lodovico arrives in Cyprus and watches Othello strike Desdemona in public.
Why it matters: Outside perspective — shows how far Othello has fallen. The same Othello who was "all in all sufficient" is now striking his wife.

6. Self-test on Othello

Section I-style recall questions

Who is in love with Cassio?
Bianca.
Who is Desdemona's father?
Brabantio.
Where does the play start? Where does most of it take place?
Venice (start); Cyprus (majority).
Who are the enemies the Venetian army is fighting?
The Turks (also called Ottomans).
How does Roderigo die?
In a fight with Cassio in the dark — Iago stabs and kills him.
What happens to Cassio at the end?
His leg is stabbed (he survives).
Who dies in the play?
Othello, Desdemona, Roderigo, Emilia, and Brabantio (off-stage from grief).
What is Othello's hamartia?
Jealousy (sometimes labeled as anger). His pride/honor also contribute.

📖 The Chosen Deep Dive

You said you know this one — so this is more of a refresh. Themes, symbols, key quotes, gematriyah.

1. Plot Summary

  • Year story begins: 1944 (Brooklyn, WWII era)
  • Author: Chaim Potok
  • Plot: Reuven Malter (Modern Orthodox) and Danny Saunders (Hasidic) meet during a softball game, become unlikely friends. The novel follows their growing friendship, their relationship with their fathers, and Danny's struggle to leave the Hasidic dynasty.
  • Bildungsroman — a coming-of-age story for both boys.

2. Characters

CharacterRole
Reuven MalterNarrator. Son of David Malter. Modern Orthodox Jew.
Danny SaundersHasidic Jew, brilliant mind, expected to inherit father's rabbinical role.
David (Mr.) MalterReuven's father. Scholar, Zionist. Wants to be "worthy of rest."
Reb SaundersDanny's father. Hasidic rabbi. Raises Danny in SILENCE.
LeviDanny's younger brother.

3. Major Themes

  • Friendship & "two bodies with one soul" — Aristotle's definition, quoted by Mr. Malter.
  • Father-son relationships — Reuven/David vs. Danny/Reb Saunders.
  • Tradition vs. modernity — Hasidic vs. Modern Orthodox.
  • Silence as a teaching method — Reb Saunders' controversial method of raising Danny.
  • Zionism — Mr. Malter's cause; creates conflict between the families.
  • Authenticity — being true to yourself vs. fulfilling others' expectations.

4. Key Symbols

  • Eyes — perspective, sight, understanding. Reuven's eye injury opens the story.
  • The blink of an eye — Mr. Malter's metaphor about making your life count.
  • Glasses — Danny's, signifying his bookish nature and detachment.
  • The clock/time — recurring motif about meaningful action.

5. KEY QUOTES

"Somehow everything had changed... the world around seemed sharpened now and pulsing with life." — Reuven (after returning home from the hospital)
Context: Reuven just got home from the hospital after his eye injury.
Why it matters: The eye injury makes him SEE the world differently — symbolizes new perspective, the start of his coming of age. Connects to the EYES symbol.
"The blink of an eye in itself is nothing. But the eye that blinks, now that is something." — Mr. Malter
Context: Mr. Malter explains why he fights for Zionism.
Why it matters: Life is short — what matters is what you DO with it. This is why he wants to be "worthy of rest." Ties to the theme of meaningful action and gematriyah (giving significance to small things).
"I want to be worthy of rest." — Mr. Malter
Context: Mr. Malter explaining his fight for the Zionist state of Israel.
Why it matters: Frames his entire philosophy — you have to EARN rest by doing meaningful work. Foreshadows his health decline and dedication.

6. Key Concepts to Know

TermWhat it means
ZionismThe movement to create a Jewish state (Israel). Mr. Malter is a fervent Zionist; Reb Saunders opposes it because the Messiah hasn't come yet.
GematriyahThe Jewish practice of finding NUMERICAL significance in Hebrew letters/words. Danny's father uses it in teaching.
HasidicAn ultra-Orthodox branch of Judaism with distinctive dress (black coats, hats, side-curls).
TzaddikA righteous Hasidic leader; Danny is expected to inherit this role.
Aristotle's friend"Two bodies with one soul" — the definition of true friendship.

7. Self-test on The Chosen

Recall questions

When does The Chosen begin?
1944.
What is the name of Danny's younger brother?
Levi.
What is the movement to create a Jewish state called?
Zionism.
What is gematriyah?
Creating numerical significance from corresponding letters of the Hebrew alphabet.
According to Mr. Malter (citing Aristotle), what is a friend?
"Two bodies with one soul."

✍️ Quote IDs (Section IV — 60 points)

You write THREE QIDs (one per quote from Othello or Chosen). Each is worth 20 points. You have ~13 minutes per QID.

The 4 Steps (every QID has these)

1Speaker & Context — Who is speaking? To whom? Where in the text? What's just happened?
2The Words (Little Picture) — Analyze the actual language. Diction (word choice), tone, mood, syntax, repetition, literary devices, grammar.
3Big Picture (So What?) — How does this connect to broader themes, symbols, or conflicts? Why does it matter?
4Looking Forward / Looking Backward — Connect this moment to ANOTHER specific moment in the text. Be specific.

Words to Memorize (helpful vocabulary)

CategoryWords to use
Tone/moodsomber, anxious, defiant, mournful, ironic, contemplative, urgent, conflicted, resigned, foreboding
Action verbsillustrates, demonstrates, reveals, conveys, underscores, emphasizes, foreshadows, juxtaposes, evokes
Syntax wordsfragmented, parallel, repetitive, abrupt, flowing, terse, ornate
Transitional phrases"This moment connects to..." / "Looking forward to..." / "Earlier in the text..." / "Building on this..."

📝 Worked Example — Othello QID

"Beware, my lord, of jealousy: / It is the green-eyed monster which doth mock / The meat it feeds on." — Iago (Act 3, Scene 3)
Step 1 (Speaker/Context): Iago says this to Othello in Act 3, just as he begins planting the seeds of jealousy. Othello has insisted he would never be jealous, and Iago — pretending concern — warns him against jealousy WHILE inflicting it.

Step 2 (Words): Iago personifies jealousy as a "green-eyed monster," using the verbs "mock" and "feeds on" to give it a predatory, devouring quality. The metaphor of jealousy "eating its own meat" suggests the irony that jealousy destroys the very thing it loves. The imperative "beware" makes Iago sound protective — but it's actually a manipulation tactic.

Step 3 (Big Picture): This quote crystallizes the central theme of the play — jealousy as a destructive force. Iago is using language to plant the very emotion he claims to warn against. It speaks to Shakespeare's larger point about how words can be weaponized to deceive even noble men.

Step 4 (Looking Forward): This moment foreshadows Othello's eventual descent — by Act 5, he will "feed on" his suspicion until it consumes him entirely, leading to Desdemona's murder. It also looks backward to Iago's earlier line "I am not what I am" (Act 1), confirming that Iago is now actively executing the deceptive role he announced at the start.

📝 Worked Example — Chosen QID

"The blink of an eye in itself is nothing. But the eye that blinks, now that is something." — Mr. Malter
Step 1 (Speaker/Context): Mr. Malter says this to Reuven while explaining why he devotes so much of his time to Zionist causes despite his failing health. He's framing why life — though brief — can have meaning.

Step 2 (Words): The juxtaposition between "nothing" and "something" creates a paradox: a single blink is meaningless, but the act of blinking — the eye behind it — is everything. Mr. Malter uses simple, conversational diction ("now that is something") that contrasts with the philosophical weight of the idea, making profound truth feel accessible.

Step 3 (Big Picture): This connects to the central symbol of EYES throughout the novel — perspective, sight, and meaning. It also reflects the theme of authenticity and meaningful action: it's not how much time you have, but what you DO with that time. The line illustrates Mr. Malter's whole worldview, which contrasts with Reb Saunders' more passive approach to history.

Step 4 (Looking Forward): This moment foreshadows Mr. Malter's later declaration "I want to be worthy of rest" — he is choosing to make his "blink" of a life mean something by fighting for Israel. It also looks back to the eye injury that opened the novel: Reuven's literal eye damage gave him a new way of SEEING the world, paralleling his father's metaphorical message here.

🎯 Big-Picture Ideas to Memorize

For each text, brainstorm 3-4 themes that you can connect ALMOST ANY quote to:

Othello big-picture ideasChosen big-picture ideas
Jealousy as destructionFather-son relationships
Appearance vs. realityTradition vs. modernity
Manipulation through languageFriendship ("two bodies, one soul")
Race & othernessSilence as teaching
Honor & reputationAuthenticity & meaningful action

📝 Thesis Writing (Section II — 30 points)

After labeling devices in the cold-read poem, you write an argumentative thesis. The format is non-negotiable.

The 3-Part Formula

  1. Introductory phrase — usually begins with "Although..." (or "While..." / "Even though..." / "Despite...")
  2. Main claim with evidence — a clear argument grounded in the text
  3. "So what" with -ing word — extends beyond the text to a bigger idea

The Skeleton You Can Plug Any Poem Into

"Although [acknowledgment of complexity or counter-point], [poet's name] [verb: argues / suggests / reveals / contends] that [main claim about the poem], [-ing word like emphasizing/demonstrating/illustrating/revealing] [bigger universal idea]."

Worked Example (from your study guide)

"Although Juliet, Desdemona, and Emilia are all constrained by the expectations of their marriages, Juliet and Desdemona find ways to push those boundaries and take control of their own destinies, emphasizing Shakespeare's message celebrating women's independence and demonstrating how the plays are ahead of their time."

Notice all three parts: "Although..." → main claim with evidence (Juliet/Desdemona/Emilia) → -ing word ("emphasizing" / "demonstrating") connecting to a bigger idea.

Three Sample Thesis Templates (memorize one)

Template 1: "Although the speaker initially seems [X], [poet's name] reveals that [counter-X] through [device], illustrating [bigger idea]."

Template 2: "While [poem] appears to be about [surface topic], the use of [device/devices] suggests [deeper meaning], emphasizing [universal theme]."

Template 3: "Even though [conflict in the poem], [poet] argues that [resolution/argument], demonstrating [author's broader claim]."

Common Mistakes

  • Forgetting the -ing "so what." Without it, the thesis isn't done.
  • Vague claim — "this poem is about love" isn't an argument; "this poem suggests love is destructive" is.
  • No textual evidence reference — your main claim should hint at HOW you'll prove it.
  • Forgetting the intro phrase — the "Although" is mandatory.

Practice (try writing one!)

Practice Thesis Building
Imagine a poem where a child mourns a lost pet but the poem uses light, almost playful imagery. Write a thesis in the format.
"Although the speaker uses light, playful imagery throughout the poem, [Poet]'s repeated use of caesura and personification reveals an undercurrent of deep grief that the child cannot openly express, illustrating how loss can complicate even the most innocent forms of joy."

Notice: "Although" → main claim with specific devices as evidence → "-ing" word → bigger idea.

📜 The 6 Poem Types

You need to be able to NAME and EXPLAIN each type. Likely on Section I.
1. Ode
A formal, often elaborate poem addressed to a person, object, or abstract idea. Usually celebratory in tone.
Examples: "Ode to a Grecian Urn" (Keats), "Ode on Melancholy"
2. Elegy
A mournful poem, often a lament for the dead.
Examples: "Elegy Written in a Country Churchyard" (Gray), "When Lilacs Last in the Dooryard Bloom'd" (Whitman — about Lincoln)
3. Persona Poem
A poem in which the speaker is a CHARACTER (not the poet themselves). The poet assumes an identity.
Examples: "My Last Duchess" (Browning — speaker is the Duke), various dramatic monologues
4. Ekphrasis (Ekphrastic Poem)
A poem that describes or responds to a piece of visual art (painting, sculpture, photograph).
Examples: "Musée des Beaux Arts" (Auden — about Brueghel's Icarus painting), "Ode to a Grecian Urn" doubles as ekphrasis
5. Ars Poetica
Literally "the art of poetry." A poem ABOUT poetry itself — what poetry is or should do.
Examples: "Ars Poetica" (MacLeish — "A poem should not mean / But be"), Horace's original
6. Concrete Poem
A poem in which the VISUAL SHAPE of the text matters — the words form a picture related to the subject.
Examples: "The Mouse's Tale" (Lewis Carroll — text in shape of a mouse's tail), George Herbert's "Easter Wings"

🎯 Self-test

Which poem type describes a piece of visual art?
Ekphrasis (or ekphrastic).
Which type is about poetry itself?
Ars poetica.
Which type uses the visual shape of words?
Concrete poem.
Which type mourns a death?
Elegy.
Which type uses an assumed character as the speaker?
Persona poem.
Which type addresses something with formal celebration?
Ode.

🦅 Tragic Hero & Related Terms

Aristotelian terms commonly tested on Section I.

Tragic Hero Definition

A tragic hero (from Aristotle's Poetics) is a character who is:

  1. Noble or high-status — has rank, power, or admirable qualities
  2. Possesses a hamartia — a tragic flaw
  3. Experiences a downfall caused by that flaw + fate
  4. Recognizes their error (anagnorisis) often too late
  5. Inspires pity and fear in the audience, leading to catharsis

Key Greek Terms

TermMeaning
HamartiaThe fatal flaw (Othello's = jealousy/anger)
HubrisExcessive pride (a common form of hamartia)
PeripeteiaThe reversal of fortune (the turning point)
AnagnorisisThe moment the hero RECOGNIZES the truth (often too late)
CatharsisThe audience's emotional release through pity and fear

Other Important Literary Terms

TermMeaning
BildungsromanA coming-of-age novel (The Chosen)
FoilA character who contrasts with another to highlight their traits (Iago foils Othello)
Dramatic ironyThe audience knows something the character doesn't
SoliloquyA character speaking alone, revealing thoughts to the audience (Iago has several)
AsideA short comment from a character, heard by the audience but not by other characters

🎯 Self-test

What is the literary term for "fatal flaw"?
Hamartia.
What is the literary term for "coming of age"?
Bildungsroman.
What category of character is Othello?
Tragic hero.
What is Othello's hamartia?
Jealousy (sometimes labeled anger). His pride/honor also contribute.
What is the emotional release the audience feels at the end of a tragedy?
Catharsis.